Christ's Faithful People
|281. Following the example of Christ, the Church has
always used bread and wine with water to celebrate the Lord's Supper.
282. According to the tradition of the entire Church, the bread must be made from wheat; according to the tradition of the Latin Church, it must be unleavened.283. The nature of the sign demands that the material for the eucharistic celebration truly have the appearance of food. Accordingly, even though unleavened and baked in the traditional shape, the eucharistic bread should be made in such a way that in a Mass with a congregation the priest is able actually to break the host into parts and distribute them to at least some of the faithful. (When, however, the number of communicants is large or other pastoral needs require it, small hosts are in no way ruled out.) The action of the breaking of the bread, the simple term for the eucharist in apostolic times, will more clearly bring out the force and meaning of the sign of the unity of all in the one bread and of their charity, since the one bread is being distributed among the members of one family. 284. The wine for the eucharist must be from the fruit of the vine (see Lk 22:18), natural, and pure, that is not mixed with any foreign substance.
285. Care must be taken to ensure that the elements are kept in good condition: that the wine does not turn to vinegar or the bread spoil or become too hard to be broken easily.
286. If the priest notices after the consecration or as he receives communion that water instead of wine was poured into the chalice, he pours the water into another container, then pours wine with water into the chalice and consecrates it. He says only the part of the institution narrative related to the consecration of the chalice, without being obliged to consecrate the bread again.
|287. As in the case of architecture, the Church
welcomes the artistic style of every region for all sacred furnishings and accepts
adaptations in keeping with the genius and traditions of each people, provided they fit
the purpose for which the sacred furnishings are intended. 
In this matter as well the concern is to be for the noble simplicity that is the perfect companion of genuine art.
288. In the choice of materials for sacred furnishings, others besides the traditional are acceptable that by contemporary standards are considered to be of high quality, are durable, and well suited to sacred uses. The conference of bishops is to make the decisions for each region.
|289. Among the requisites for the celebration of Mass,
the sacred vessels hold a place of honor, especially the chalice and paten, which are used
in presenting, consecrating, and receiving the bread and wine.
290. Vessels should be made from materials that are solid and that in the particular region are regarded as noble. The conference of bishops will be the judge in this matter. But preference is to be given to materials that do not break easily or become unusable.
291. Chalices and other vessels that serve as receptacles for the blood of the Lord are to have a cup of nonabsorbent material. The base may be of any other solid and worthy material.
292. Vessels that serve as receptacles for the eucharistic bread, such as a paten, ciborium, pyx, monstrance, etc., may be made of other materials that are prized in the region, for example, ebony or other hard woods, as long as they are suited to sacred use.
293. For the consecration of hosts one rather large paten may properly be used; on it is placed the bread for the priest as well as for the ministers and the faithful.
294. Vessels made from metal should ordinarily be gilded on the inside if the metal is one that rusts; gilding is not necessary if the metal is more precious than gold and does not rust.
295. The artist may fashion the sacred vessels in a shape that is in keeping with the culture of each region, provided each type of vessel is suited to the intended liturgical use.296. For the blessing or consecration of vessels the rites prescribed in the liturgical books are to be followed.
|297. In the Church, the Body of Christ, not all
members have the same function. This diversity of ministries is shown outwardly in worship
by the diversity of vestments. These should therefore symbolize the function proper to
each ministry. But at the same time the vestments should also contribute to the beauty of
298. The vestment common to ministers of every rank is the alb, tied at the waist with a cincture, unless it is made to fit without a cincture. An amice should be put on first if the alb does not completely cover the street clothing at the neck. A surplice may not be substituted for the alb when the chasuble or dalmatic is to be worn or when a stole is used instead of the chasuble or dalmatic.299. Unless otherwise indicated, the chasuble, worn over the alb and stole, is the vestment proper to the priest celebrant at Mass and other rites immediately connected with Mass.
300. The dalmatic, worn over the alb and stole, is the vestment proper to the deacon.
301. Ministers below the order of deacon may wear the alb or other vestment that is lawfully approved in each region.
302. The priest wears the stole around his neck and hanging down in front. The deacon wears it over his left shoulder and drawn across the chest to the right side, where it is fastened.
303. The cope is worn by the priest in processions and other services, in keeping with the rubrics proper to each rite.
304. Regarding the design of vestments, the conferences of bishops may determine and propose to the Apostolic See adaptations that correspond to the needs and usages of their regions.
305. In addition to the traditional materials, natural fabrics proper to the region may be used for making vestments; artificial fabrics that are in keeping with the dignity of the liturgy and the person wearing them may also be used. The conference of bishops will be the judge in this matter.
306. The beauty of a vestment should derive from its material and design rather than from lavish ornamentation. Representations on vestments should consist only of symbols, images, or pictures portraying the sacred. Anything out of keeping with the sacred is to be avoided.
307. Variety in the color of the vestments is meant to give effective, outward expression to the specific character of the mysteries of the faith being celebrated and, in the course of the year, to a sense of progress in the Christian life.
308. Traditional usage should be retained for the vestment colors.
a. White is used in the offices and Masses of the Easter and Christmas seasons; on feasts and memorials of the Lord, other than of his passion; on feasts and memorials of Mary, the angels, saints who were not martyrs, All Saints (1 November), John the Baptist (24 June), John the Evangelist (27 December), the Chair of St. Peter (22 February), and the Conversion of St. Paul (25 January).b. Red is used on Passion Sunday (Palm Sunday) and Good Friday, Pentecost, celebrations of the Lord's passion, birthday feasts of the apostles and evangelists, and celebrations of martyrs.
c. Green is used in the offices and Masses of Ordinary Time.
d. Violet is used in Lent and Advent. It may also be worn in offices and Masses for the dead.
e. Black may be used in Masses for the dead.
f. Rose may be used on Gaudete Sunday (Third Sunday of Advent) and Laetare Sunday (Fourth Sunday of Lent).
The conference of bishops may choose and propose to the Apostolic See adaptations suited to the needs and culture of peoples.
309. On solemn occasions more precious vestments may be used, even if not of the color of the day.
310. Ritual Masses are celebrated in their proper color, in white, or in a festive color; Masses for various needs and occasions are celebrated in the color proper to the day or the season or in violet if they bear a penitential character, for example, ritual Masses nos. 23, 28, and 40; votive Masses are celebrated in the color suited to the Mass itself or in the color proper to the day or season.
|311. Besides vessels and vestments for which some
special material is prescribed, any other furnishings that either have a liturgical use or
are in any other way introduced into a church should be worthy and suited to their
312. Even in minor matters, every effort should be made to respect the canons of art and to combine cleanliness and a noble simplicity.